Posts Tagged ‘New York Times’

CSU photo Alum’s Real Estate Photos Featured in New York Times

March 27, 2019

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New York Times, our newspaper of record, recently published an article comparing what you get in residential real estate for under $250,000 in three states, including Ohio.

The Ohio house is located in Shaker Heights. Recent CSU photo graduate Austin Cupach made the photographs of the house featured in the article. Austin did an internship with VNTG Home while at CSU. He is now employed as a Marketing/Real Estate Photographer there. He did an amazing job.

Check out Austin’s images at nytimes.com here.

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In the News:Analog and Darkroom Photography

November 20, 2017

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“As younger generations embrace vintage things — like vinyl records and early gaming consoles — more students have become interested in old-school photography, increasing the demand for analog photography classes in high schools across Manhattan…” Read In High School Darkrooms, Shedding Light on a Vintage Craft in the NYTimes.com.

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“CES, once known as the Consumer Electronics Show, is usually the stuff of drones, smart home gear and other high-tech gadgets. But this year, as thousands of people attended the annual tech gathering in Las Vegas, a 129-year-old brand stole the limelight. Kodak Aliris, the firm that bought Kodak’s film segments, announced during the event that it would reintroduce Ektachrome, a color reversal film discontinued in 2012.” Read more in This is Why Film Photography is Making a Comeback on Time.com.

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“You might have a certain image of the generation of artists who reshaped contemporary photography from the 1970s onward. Namely, a dig-your-heels-in reliance on the foundations of craft: things like analog film, hours spent in the darkroom huddled over chemical developing baths, and a cantankerous attitude toward the young people ruining the field with Photoshop and smartphones. Stephen Shore is happy to disrupt those preconceived notions.” Read more Stephen Shore on Why Young Photographers Need to Start with Film on Artsy.net.

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The idea behind the crowdfunding campaign was to create a sort of system-agnostic film SLR. The Reflex’s modular build means you can swap out the lens mount for any of the majors: Canon, Nikon, Pentax and so on. Bigger lens selection is always good, but is that enough to make people want to buy in? Read more Reflex Aims to Kickstart Film Photography with a New Old SLR on tech crunch.com.

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It looks like a scene from a Southern Gothic film.

The figure, dressed in a white shirt, stands at a lectern like a Bible Belt preacher, shining bright. Behind him the sky is Old Testament-elemental; the clouds gather with the promise of something revelatory. The edges of the picture have a curiously unfocused and dreamlike quality. It is like someone has remembered this single frame from a nightmare, and somehow brought it into being. Read The Toy Camera that Inspired Instagram at bbc.com.

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Nikon D850: Just for Men?

September 16, 2017

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To promote a new camera, Nikon enlisted 32 photographers from Asia, Africa and the Middle East to try it out and tell their stories on the company’s website.

But Nikon couldn’t — or didn’t — find any women to participate. All 32 were men. Read more from the New York Times.

Evelyn Hockstein is vice-president of the Women Photojournalists of Washington, a non-profit created to promote the role of women in photojournalism, foster their professional success, and mentor emerging photographers. She has offered her services to identify female candidates for Nikon’s campaign. Read more from The Guardian.

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This has led some commentators to raise the inevitable question: When will the girl version be released? Read more on Fstoppers.com.

William Eggleston, Pioneer of Color Photography

October 20, 2016

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At 77, Eggleston is mischievous, beguiling, puzzling and fascinating, all in nearly equal measure. He has been called a legend and an icon. He is frequently referred to as “the godfather of color photography,” even though the sensational 1976 solo exhibit at New York’s Museum of Modern Art that established him as such was widely panned at the time. “Critics and so forth obviously weren’t really looking at this stuff,” he says today. “Didn’t bother me a bit. I laughed at ’em.”

Read the full story in the New York Times.

Sally Mann on NPR and NYT

May 13, 2015

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Photographer Sally Mann is fascinated by bodies. In the early 1990s, she became famous — or notorious — for her book Immediate Family, which featured photographs of her young children naked. Critics claimed Mann’s work eroticized the children, but Mann says the photos were misinterpreted.

Listen to an interview with Sally Mann on Fresh Air:  Making Art Out Of Bodies: Sally Mann Reflects On Life And Photography

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In September 1992, I published my third book of photographs, “Immediate Family.” The book contained 60 photographs from a decade-­long series of more than 200 pictures of my children, Emmett, Jessie and Virginia, who were about 6, 4 and 1 when I started the project. The photographs show them going about their lives, sometimes without clothing, on our farm tucked into the Virginia hills. For miles in all directions, there was not a breathing soul. When we were on the farm, we were isolated, not just by geography but by the primitive living conditions: no electricity, no running water and, of course, no computer, no phone. Out of a conviction that my lens should remain open to the full scope of their childhood, and with the willing, creative participation of everyone involved, I photographed their triumphs, confusion, harmony and isolation, as well as the hardships that tend to befall children — bruises, vomit, bloody noses, wet beds — all of it.

-Sally Mann

Read Sally Mann’s reflection on Immediate Family: Sally Mann’s Exposure

The original cover story appeared in the magazine on Sept. 27, 1992, and is discussed in an article by Sally Mann in the April 19 issue.

William Griswold New Cleveland Museum of Art Director

May 20, 2014

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William M. Griswold, a veteran art museum administrator who earned glowing praise as director of the Morgan Library & Museum in New York over the past six years, has been appointed as the new director of the Cleveland Museum of Art.

…The Morgan originally focused on its founder’s enthusiasms, which did not include modern art. But under Griswold, who sought to expand the institution’s range to make it more relevant to younger audiences, the Morgan added new departments in modern and contemporary drawing, and photography.

Read Steven Litt’s article in cleveland.com

Read the coverage in the New York Times

 

New Directions in Photography via NYTimes.com

January 24, 2014

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At first glance, viewers of “What Is a Photograph?” opening on Jan. 31 at the International Center of Photography, will not even recognize the work on the wall as photographic. There is no easily identifiable subject, no clear representational form.

“The show does not answer the question,” said Carol Squiers, the show’s curator. “It poses the question. It is an open question, and that’s why I find this period in photography so exciting.”

Ms. Squiers pointed to Travess Smalley, who cuts shapes from magazine pages and colored paper and composes them into photo collages directly on a scanner. He considers the scan the negative for the print. “He doesn’t necessarily call the result a ‘photograph,’ “ she said, but she wasn’t ready to define exactly what it was…

Read the entire article from NYTimes.com.

 

The Genius of Carrie Mae Weems

September 26, 2013

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Carrie Mae Weems, whose retrospective at the Cleveland Museum of Art is winding up, is a 2013 MacArthur Fellow recipient.  Check out this New York Lens Blog interview with this influential artist:

Q.   Congratulations, on the MacArthur. It’s pretty wonderful.

A.    It is beyond wonderful. I feel like I am dancing in the stratosphere. I am sitting here with my tiara on and all of my fake jewels, and a bottle of Champagne that’s half empty. Or should I say half full?

Q.   This is a lovely validation of the work that you’ve been doing for so long. Do you have plans for what the money will enable you to do?

 To find out the answer to this question and others, as well as view a slide show of Carrie Mae Weem’s work, visit NYTimes Lens blog.

The Lens Rises in Stature (NYTimes)

March 22, 2013

Screen shot 2013-03-22 at 3.09.27 PMRead about how major museums like The Met are embracing photography in the New York Times here.

 

 

Ryan Upp Goes National

February 3, 2012

Cleveland State University recently received some national attention. On Sunday, Jan. 22 photos by CSU student Ryan Upp, a senior Art and Photography major, were featured front and center in The New York Times Education Life section.  Read more in The Cleveland Stater.